Though critics didn't embrace the album, it reached No. 'Born to Die'ĭel Rey's first major-label album was Born to Die, which came out in 2012. It came out in 2010, but the digital release was only available for a couple of months.
#Lana del rey album list professional#
Albums 'AKA Lizzy Grant'īefore Del Rey adopted the professional moniker of Lana Del Rey, she made an album titled Lana Del Ray AKA Lizzy Grant (spelling Ray with an "a," not an "e"). However, her first studio album was still a success, as were subsequent releases. In 2012, Del Rey appeared on Saturday Night Live and was criticized for looking nervous and singing hesitantly.
There was also speculation that her father was a millionaire who'd bankrolled her (Del Rey has said her family was never wealthy). The news that Del Rey had signed with the label Interscope made some wonder if "Video Games" was a marketing ploy and not a video she'd created herself. She flirted with names like Sparkle Rope Jump Queen and May Jailer before settling on Lana Del Rey, which was selected on a trip to Miami in part for its evocation of coastal glamour. Becoming Lana Del Reyīy the time her first album came out, Del Rey had decided she wanted to work under a new name. With the $10,000 she earned for this deal, Del Rey moved into a New Jersey trailer park. In 2006, she entered a songwriting competition she didn't win, but a judge on the panel helped her create a demo, which led to her signing with the indie label 5 Points. Early Careerĭel Rey, then still known as Lizzy Grant, started her career with open mic nights and club gigs. Though Del Rey soon enrolled at Fordham University in the Bronx, where she studied philosophy, music became her true focus. Instead of attending college right away, she went to live with her aunt and uncle on Long Island her uncle taught her to play guitar. It's on an entirely different page than the club-ready remixes of her earlier material, but with Chemtrails Over the Country Club, Del Rey shows her softest moments can be her most powerful.Boarding school wasn't a complete cure, but by the age of 18, Del Rey was sober. The track is a perfect closer for an album that further advances Del Rey's evolution from a constructed pop persona to a complex artist. The opening lines of "Dance Til We Die" refer to "covering Joni" and the next song is a pristine cover of Joni Mitchell's Ladies of the Canyon classic "For Free," with vocal contributions from Weyes Blood and Zella Day. "Wild at Heart" includes one of several moments where she alters her phrasing to fit extra lyrics into a single line, wondering aloud about what would happen if she escaped her music career for a more frivolous existence. There are more tendencies toward ghostly folk, as with the acoustic guitars and bongos of "Yosemite" or the lonely, drifting strumming of "Not All Who Wander Are Lost." Del Rey experiments with expanding the depths of her long-established persona, occasionally breaking the fourth wall with overtly personal lyrics. While NFR! also had a restrained approach, there were multiple moments of accessible pop in the moody cover of Sublime's "Doin' Time" and the classic rock grandeur of "The Greatest." There's barely a hint of that here, with the booming bass and steady drum loop of "Dark But Just a Game" being the closest Chemtrails gets to pop production.
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